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Why We All Like Insomniac’s Spider-Man Games: Spidey at His Best

By: Ruby Garff

When looking at the seemingly endless list of masked or caped superheroes dreamed up throughout human history, one stands out to me as my clear favorite. There is one superhero whose comics I will always pick up over any other, whose films I will always turn on when I’m having a bad day. That hero is Spider-Man. The hero given the powers of a spider turned up to 1,000, swinging through New York City and saving the day with a quip and a positive attitude. The thing is, I didn’t grow to love Spider-Man the way I do now until 3 years ago when I was gifted a PS4 and a copy of both Marvel’s Spider-Man games for the console on Christmas morning. I had been waiting for the chance to finally play these games I’d seen advertised to me for years, and here it was. I had no idea that Marvel’s Spider-Man would become my favorite video game of all time and turn the titular hero into my favorite character from any form of media I’ve ever consumed. Since Marvel’s Spider-Man 2 just debuted in October of this year, I had the excellence of these games reaffirmed in my head. Insomniac, the developer of all three modern PlayStation Spider-Man titles, has developed a version of the Spider-Man character that is truly special and has shaped the way I see the character for the better.

Most of the superhero-centric content I consume and like nowadays focuses on a much looser interpretation of “hero,” often featuring morally gray, anti-hero, or downright evil characters wearing distracting colorful masks and capes. Good examples of this include The Suicide Squad, Peacemaker, The Boys, and Invincible, all really gritty looks at superpowers that don’t leave you with any warm fuzzy feelings. Contrary to this, Spider-Man is my favorite superhero. Spider-Man is one of the most morally upstanding superheroes of all time, refusing to kill, putting the needs of the many over his own, and showing compassion to even the evilest of villains. He fights crime while telling jokes and seems to lack the basic ability to take the idea of his possible death seriously, quipping through every fight with the exception of the most important and serious showdowns. Spider-Man media is often sad and heavy, but the lowest lows are counteracted by the humor and levity that makes Spidey so iconic. Insomniac has a great handle on this throughout the games. I have cried at both Spider-Man 1 and 2, but despite the emotional weight these games carry, they still feel like the fun romp that any Spider-Man game should feel like. They don’t skimp out on the quips or bad jokes, both Peter and Miles’ versions of the hero show the deep sense of empathy and compassion that Spidey should have. They’re absurdly selfless, as most heroes are, and you can’t help but root for them throughout every step of their stories. This is not to say that they are perfect human beings or anything; the Spider-Men in the Insomniac titles have their flaws and issues they must work through to be the best version of the masked crimefighter they can be.

The first game (Marvel’s Spider-Man 2018) focuses on an already established Peter Parker, 8 years into being Spider-Man. There’s a sense that he has been doing this forever, and might grumble under his breath that he’s getting too old for this nonsense. In this game, Peter has to deal with probably the most catastrophic events he’s ever had to face, all while being attacked, betrayed, and disparaged from all angles. He quite literally spends most of the game homeless because he chooses to work for a low salary with Dr. Otto Octavius, hoping to achieve a future he believes in, only for Octavius to become Doc Ock, kill his aunt, and almost kill him. All of Peter’s beliefs and the established pillars of his life shatter throughout this game. When everything seems hopeless, and everyone else has given up, he stands up and saves the day, because he is Spider-Man. It’s pretty consistent in most interpretations of Spider-Man that Peter Parker has horrible luck, as nearly everything important to him is destroyed by the fact that he chooses to be a hero. Ultimately in my mind, this is what makes Spider-Man special, and it’s what makes Peter capable of being a hero. At the end of the game, he makes the ultimate sacrifice, allowing his Aunt May to die in order to preserve an antidote that can save the rest of New York. By this point, after seeing Peter’s life unravel during this game, you feel this moment more heavily than I’ve felt anything in nearly any other game. Peter’s characterization works so incredibly well in this game, and there’s not a single moment you’re not rooting for him. This continues seamlessly into Marvel’s Spider-Man: Miles Morales, which follows a much less experienced Miles Morales, trying to find a way to be his own Spider-Man after Peter leaves for a quick vacation. Of course, while Peter’s away, a corporation run by an evil Elon Musk type begins with a criminal organization run by Miles’ childhood best friend– because why wouldn’t an advanced network of criminals have all its technology supplied by a 17-year-old? During this game, Miles is able to become something wholly separate from just a Peter 2 and becomes Spider-Man in his own right. He saves Harlem from being wiped completely off the map in an event where at least like 15 people see he’s Spider-Man and decide to keep their mouths shut– à la the famous train scene in Sam Raimi’s Spider-Man 2. This ending is beautiful, but lacks the complete emotional devastation of the original, even with Miles’ criminal-mastermind friend sacrificing herself– à la the famous Doc Ock in Sam Raimi’s Spider-Man 2 (maybe everything is just Spider-Man 2). Even though I don’t adore the second game quite like the original, mostly because of the shorter narrative, it still furthered my understanding and love of Miles Morales as a character. After this and Spiderverse, I was actively seeking out Miles Morales comic books and was shocked at how he was slotting himself right up top with Peter on the list of my favorite characters of all time.

After 2018 and 2020 gave us two of the greatest things to ever happen to superhero gaming, fans waited eagerly for a true successor to the original. Something with an expansive narrative, maybe even a larger map and gameplay, traversal, and combat that built off the original’s already solid foundation. Marvel’s: Spider-Man 2 gave me nearly everything I could’ve wanted from this follow-up. We got introduced to Brooklyn and Queens as a new piece of the game’s New York map, Peter’s story expanded off what was set up in the first game in a masterfully crafted way that had me eagerly awaiting each new main story moment, and the famous swinging mechanics were somehow made even better in a way that made flying over the streets of New York feel breathtaking. Spider-Man 2 begins with probably the most insane video game set piece I have ever seen, as both Peter and Miles take on the Sandman, who manages to destroy nearly all of lower Manhattan in an out-of-character rampage. This opening scene sets the stage for the villain of the first half of the game, Kraven the Hunter. The Kraven content in this game is wonderfully crafted; he’s a real threat throughout, killing several of Spider-Man’s most formidable villains from the Vulture to the Scorpion. It’s clear he’s not leaving New York until he gets what he really wants, an honorable death at the hands of an equal. Of course, the real draw to this title was always going to be Venom and a symbiote-suited Spider-Man. The symbiote comes to us in the way of a not-yet-crazy, but dying Harry Osborn, who’s been given the symbiote to save his life from an unknown deadly disease. The symbiote transfers to Peter as he himself is almost killed from a particularly aggressive knife to the stomach from Kraven, and from that point on, the hunter becomes the hunted. Peter develops all the aggression and need for revenge that, quite frankly, he should have anyway after everything that’s happened to him. What I love about this game is that even though it seems to be largely focusing on Peter, Harry, and their struggle with the symbiote, Miles is in the background developing into someone who is so clearly worthy of being Spider-Man. It’s Miles who manages to save Peter from the symbiote’s grip and teams up with the man who killed his father–Mr. Negative–to rid Peter of the very last of its influence. As Miles manages to reform his greatest enemy, a now 25-year-old Peter begins to doubt how much the city needs him when they’ve got Miles. Peter is left with no shortage of admirable and soul-crushing things to do though, as a sicky Harry once again gets his hands on the symbiote and becomes Venom, rampaging through the city and spreading the symbiotes’ influence. The game ends with Peter, Miles, and MJ managing to destroy the symbiote and the meteorite it came from, leaving Harry comatose. This game handles everything about its complex story with ease. Seeing Peter under the symbiote’s influence is heartbreaking, given that he believes it’s given him the capability to save and help everyone in a way he never has before. We see what Spider-Man would be in a universe where he wasn’t Peter Parker, where someone even a little bit less strong-willed would exert his desire for revenge on the city, not caring who stands in his way. At the game’s conclusion, Peter states he’s taking a break from the mask for a while, entrusting the city to his protege, Miles Morales. This momentary conclusion to their story is built up in a way that makes an almost painful amount of sense. Peter deserves a break after 10 years putting himself between his city and mastermind supervillains or literal alien invasions. After going through all of this with him, it’s almost satisfying for the player to watch him take a step back.

What makes video games such a special way to tell a story is that you are the main character. You spend the game playing as Peter or as Miles, sometimes even as MJ or Venom. You watch everything happen from their perspective, feeling the emotional weight all that much more heavily for it. Spider-Man 2 places you in the thick of one of the greatest Spider-Man stories of all time. It’s like if the Spider-Man 2 movie was 15 hours longer and you were Spider-Man. Insomniac has created three narratives that craft some of the best interpretations of Spider-Man ever put to any media. They made me fall in love with the character, over and over. The heart and soul of these games are the stories, the ones that had me on the edge of my seat, crying and cheering all the way. I’m not sure if I’ll ever get over these titles, and I can’t wait to see what Insomniac’s Marvel universe has in store for us next.